Celebrating Earth Day: how Theresia is improving its impact as an orchestra

By Emilia Campagna - April 22, 2023
Every year on April 22, it is Earth Day! Find out what Theresia is doing to reduce its environmental impact as a travelling orchestra.

Every year on April 22, Earth Day marks the anniversary of the birth of the modern environmental movement in 1970.

What is Earth Day?

More than 50 years ago,  a group of activists led by U.S. Senator Gaylord Nelson launched the movement in the wake of a natural disaster, the devastation of a massive oil spill in Santa Barbara, California in January 1969. On 22 April 1970 more than 20 million people took to the streets: the first Earth Day remains the largest single-day protest in human history and it achieved a rare political alignment. In 1990, Earth Day went global, mobilising 200 million people in 141 countries and bringing environmental issues to the world stage. Over the course of decades, Earth Day has drawn hundreds of millions of people into the environmental movement, creating opportunities for citizens to engage and volunteer in more than 193 countries.

Today, Earth Day is widely recognised as the largest secular observance in the world, marked by more than one billion people each year as a day of action to change human behaviour and forge policy changes at a global, national, and local level.

How Theresia embraces the philosophy of Earth Day

Earth Day calls people to action: we can all do something for the planet, by starting to change habits that are no longer sustainable. Of course, this also applies to Theresia! With the help of project manager Veronica Meneghello, our Corporate Social Responsibility (CSR) expert at ICONS, we asked ourselves how we could improve our impact as an orchestra and developed a scheme that aims to raise awareness among our musicians and offset their emissions.

We decided to dedicate one of the training modules we offer our musicians to sustainability and ecological transition as part of our capacity-building activities, a programme at the heart of the European funded EMPOWER project. ICONS’ CSR and project manager Veronica Meneghello tell us more…

How do sustainability and ecological transition issues fit into EMPOWER’s capacity building?

We decided to start by raising awareness of sustainable mobility, since travelling, especially long distances, is a fundamental part of musicians’ professional lives, and of sustainable behaviour in general in everyday life. Therefore, on the one hand, the aim is to encourage the players to reduce their ecological footprint and, on the other hand, to inform them about offsetting, namely the possibility of offsetting emissions that cannot be avoided. We created an interactive presentation with quizzes and videos to facilitate understanding of the topic and commissioned an external provider to create a digital guide explaining in detail the two aspects of reduction and offsetting, and outlining the offsetting projects available through EMPOWER.

What does Theresia’s “carbon offsetting activity” consist of?

After the training on carbon offsetting, we moved on to practical implementation. ICONS collaborates with a supplier to offset emissions from orchestra travel. The calculation is done on an annual basis and includes all travel, both from each individual musician’s home to the concert residency and any travel within the residency itself. The musicians who have participated in this year’s residencies are given a personal code through which each of them can offset their emissions, choosing to allocate them to one of the six projects proposed by the provider, which can be environmental (e.g. reforestation actions) or social (e.g. implementation of renewable energy, or training actions).

About 140 musicians got involved, and you met them partly in person and partly online. How was their response to the initiative?

They were quite aware of sustainability and impact issues, but were not very familiar with the fact that the ecological footprint can be quantified objectively, which they found very interesting. Some were a little sceptical about offsets, which is normal: these are issues that create mistrust if you don’t know how these offsets are used in practice in projects, but we deliberately involved our provider to illustrate the different possibilities and also to explain that offsets are not the solution, but only a temporary measure.

When did you first become involved in this topic, and is there a bearing on other ICONS projects?

I have a master’s degree in Environmental Economics and continued with a master’s degree in Sustainability in Law, Finance and Management. With the consent and participation of ICONS management, I started a CSR unit – Corporate social responsibility –  at ICONS: we are about to launch a working group on gender equality and are also working on projects that include CSR. Offsetting is potentially applicable to ICONS as well, to compensate for all the travelling that is being done for projects, but currently this is not the case. EMPOWER could be a first experiment and then be extended to the rest of the organisation some time soon.

You can follow the progress of the offset program here. And talking about sustainability, clean energy, and climate change, how much do you know about that? Take the quizzes on the Earth Day website and test yourself!

Discovering EMPOWER

By Emilia Campagna - June 16, 2022
Let's get into the heart of EMPOWER and discover the five different skills that we want our musicians to improve

How do you empower a musician? Traditionally, masterclasses and workshops are the places where young talented musicians improve their technique, deepen their knowledge of the repertoire, and challenge themselves in playing in front of an audience and with colleagues. Music, though, is not a musician’s entire life, not even when you think only of their work life. One has to manage the business side of the whole thing, take care of one’s physical health, and even promote oneself. That’s a lot.

We kept this kind of complexity in mind when we found ourselves planning the training modules of the capacity-building activity, a program at the very core of the European funded project EMPOWER. We defined five different competences that we want our musicians to improve: artistic performance, naturally, but also organisational, economic and managerial skills; digital and technological skills for marketing and communication; personal development and well-being; ecological transition.

As Silvia Raimondi, project manager at ICONS pointed out, we aim to “give young musicians the skills to manage themselves by the means of business management, communication, by coping with stress and also by acting sustainably”.

Eleven seminars are planned to cover all five areas: the seminars are going to be held mainly online and initially they will be intended for Theresia musicians only, but the plan is to expand our audience in the future including Theresia’s alumni and Theresia’s partners that may be interested. 

In this first phase of the project, the formative offer will be tailored according to the specific need of every musician, through a preliminary interview that will state the needs; the plan will be then adjourned every six months.

Teachers involved are Simone Laghi, Artistic Secretary of Theresia Orchestra, who will discuss specific aspects of organology of the classical period, providing information about the development of the Orchestra as a musical entity during the period between 1750 and 1800; conductor Vanni Moretto, who will provide musicians with the tools to understand and interpret eighteenth-century music, through the precious information provided by 18th century’s essayists; musicologist Bertil Van Boer, Professor Emeritus of Musicology-Theory at Western Washington University, who will deepen the general historical context and the question research of sources and references in archives. Looking at the managerial side of a musician’s life, Claudia Crippa, Senior business analyst at ICONS, will hold a two-part seminar focused firstly on improving knowledge about the musical “sector” and their economics, the way economics impact a musician’s career and secondly to improving knowledge about self-resources to cope with the “market”. Charlotte Michi, Director of the Innovation Farm Unit and Project Manager at ICONS will help musicians to strengthen personal digital communication skills, by giving an overview of the different online channels and providing musicians with the basic digital skills to promote their work on them. A second seminar will focus on the creation of content to be shared online. Soprano and performer Laura Catrani will guide musicians to experiment with the beneficial effects of postural techniques and GYROKINESIS® specifically designed for musicians. Speaking of well-being, Alessandra Calzarossa, professional coach and senior HR expert, will address the area of the “inner game” and emotional impact on performance and results to improve the musician’s performance and professionalism. Last but not least, Veronica Meneghello, Project coordinator for national and international projects on sustainability in ICONS, will help musicians to understand how to improve their knowledge of the environmental impact of their lifestyle choices, especially those connected to their work and travels, and thus lower it. 

The series of seminars will start during the next residency and will be focused on well-being through the practice of postural techniques and GYROKINESIS®. Stay tuned to read further details on both the residency and the seminar on our blog!

Download our catalogue and find more about the capacity building program