Our places: Teatro di Villa Torlonia

By Emilia Campagna - October 12, 2022
It seems like we can’t help but perform in beautiful and fairytale places. And our next destination is no less. Follow us in Teatro di Villa Torlonia.

It seems like we can’t help but perform in beautiful and fairytale places. It is not that we are looking deliberately for them: maybe we are especially lucky, or we are good at seeing the beauty that surrounds us, but if you pore over the “Our places” series of blog posts, you’ll see it’s just like that. And the next destination is no less.

Thanks to Reate Festival, who invited Theresia Orchestra to stage Cimarosa’s “Le astuzie femminili” under the baton of Alessandro De Marchi (click here if you lost the interview), we will perform in a real jewel in the heart of Rome, the Villa Torlonia Theatre.

Villa Torlonia, with its magnificent neoclassical building and the surrounding gardens, was designed by the renowned architect Giuseppe Valadier on behalf of the banker Giovanni Torlonia, who lived between 1756 and 1829. The construction began in 1806 and was finished by the owner’s son Alessandro (1800–1880). It was Alessandro who decided to add a theater to the complex, starting its construction in 1847.

Not proudly, it is mainly known as having been for sixteen years the residency of the Italian dictator Benito Mussolini, who rented it for only one lira a year – a symbolic prize that spared him the accusation of appropriating it by force. After the fall of the dictator, Villa Torlonia became the headquarters of the Anglo-American command and returned to Torlonia familiy’s possession in 1947.

Sadly, a long time of decay followed, until the entire property was bought by Rome’s Municipality in 1978. The first thing to happen was that the garden was made public and open free of charge to all. In 1991, big renovation works started: they made it possible to retrieve various buildings (besides the main one, among them you have some fascinating ones, like the “Casina delle Civette”, the “Casino dei Principi”, the “Serra Moresca”) and turn them into museum venues.

The Theater was one of the last buildings to be renovated: it was opened in 2013 after decades of abandonment.

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A crumbling beauty… a glimpse to the Theater before the renovation – credit Patrick DenkerFlickr, CC BY 2.0

After the war, furniture and furnishings were subject to theft, but nobody could remove the beautiful loggias and the magnificent frescos by Costantino Brumidi, an Italian painter renowned in the US as the author of Whashington’s Capitol Palace frescos. The theater is quite small, though, as it was meant to serve a villa, so only few people will be among the lucky ones who share this special occasion of seeing a performance in such a historical place. We hope you’ll be among them! If you won’t, stay in touch on our social media channel for pictures to come.

Theresia Orchestra is performing Cimarosa’s “Le Astuzie Femminili” in Villa Torlonia’s theater on Friday 14 and Saturday 15 October (8 p.m.) More info on Reate Festival‘s website

Theresia’s autumn concert season

By Emilia Campagna - September 27, 2022
After an intense summer, our musicians are ready to start rehearsing again and diving into new exciting musical adventures

For a lot of people, September is synonymous with a fresh start: it’s probably because of our school memories, or because after the summer we are full of energy, ready to start a new project with enthusiasm. And so we are, too, ready to start rehearsing again and diving into new exciting adventures during our autumn concert season. Yet, our summer was pretty intense, but being part of an orchestra like Theresia means being always ready for new projects.

Staging an opera

Definitely, the first project represents a whole new experience: the staging of an opera, “Le astuzie femminili” (Female Shrewdness) by Domenico Cimarosa. Being an ensemble devoted to symphonic (and sometimes chamber music) repertoire, working with voices is not usual for Theresia: it happened to us three times, when we joined the film-concert production “Zoroastro”, and then, more recently, on two different occasions in Innsbruck as part of the opera production “Boris Goudenow” by Johann Mattheson and as the orchestra of the international singing competition for baroque opera “Pietro Antonio Cesti”.

But, staging an opera is much more than just performing vocal music. It is a complex process that needs a lot of rehearsals and many different professionals: a director, a set designer, a stage manager and various technicians in addition to the musicians involved. So, the next project promises to be an exciting experience both for its musical meaning (“Le astuzie femminili” is a stunning comic opera among the best works by Cimarosa) and the thing that we can professionally learn about the world of musical production.

“Le astuzie femminili” is scheduled on 8th and 9th October in Rieti (Teatro Flavio Vespasiano) and 14th and 15th October in Rome (Teatro di Villa Torlonia) as part of Reate Festival (more info here). Theresia will be conducted by Alessandro De Marchi: coming soon an interview with him!

A warm-up residency

Speaking of professional growth, we know that precisely this is at the very heart of Theresia’s mission. Recently, new members were selected to join the orchestra: a “warm-up” chamber music academy now awaits them, the perfect occasion to know each other better and blend in, looking for the ideal ensemble sound while rehearsing and performing chamber music for strings and woodwinds.

The Academy will take place in an exclusive and amazing location, the Tuscan village Montecastelli, in collaboration with the organization Sience and Music, and tutor will be Paolo Beschi, cellist of the renowned ensemble Giardino Armonico. Stay tuned for more info about the musical program and the concerts to come!