How was your year? Theresia’s remarkable things of 2022

By Emilia Campagna - December 27, 2022
How was your 2022? We hope it was stunning, surprising, and full of new and exciting projects. Like Theresia’s! We are very proud and happy about the year that’s about to end: and now that only a handful of days stand between us and the new year, we want to run through the remarkable things of 2022 together.

How was your 2022? We hope it was stunning, surprising, and full of new and exciting projects. Like Theresia’s!

Yes, we are very proud and happy about the year that’s about to end: and now that only a handful of days stand between us and the new year, we want to run through the remarkable things of 2022 together.

A year at full speed

With eight residencies (five devoted to chamber music, three to orchestral projects), we really got back to normal after the restrictions due to the Covid pandemic. Eight residencies mean an average of one every month and a half, and even if a residency lasts about a week between rehearsals and concerts, it takes a lot of preparation work, all done behind the scenes by our valuable staff led by artistic director Mario Martinoli and project manager Susanna Bucher. Congratulations on your excellent work!

New places, new friends

In 2022, we’ve been in familiar places, such as Ossiach and Geneva, but we happened also to land in new places, like Mondovì and Montecastelli, and also countries where Theresia had never performed before: like Spain! Being in Totana as part of Ecos Festival was a great experience, especially for the peculiarities of the event. Ecos Festival is devoted to music but also to sustainability and to finding new approaches to the audience, and we couldn’t help but love it

Find more in the interview with Ecos Festival’s artistic director

Performing opera in a fairy tale place

Not only opera is an exceptional event, as Theresia is devoted mainly to orchestral repertoire, but doing it in a place such as Teatro Torlonia in Rome is breathtaking! We had the chance to being part in the production of “Le astuzie femminili” by Domenico Cimarosa, organized by Reate Festival. Teatro Torlonia is a stunning little theater in the heart of a neoclassical villa set in Rome. A few people were among the privileged to attend the event: have a glimpse of it in this beautiful photogallery.

Find more about the opera production in this interview with conductor Alessandro De Marchi

Find more about Teatro Torlonia in this “Our places” series post

Not only rehearsals and concerts: the Ambassadorship project

Some may think we are never satisfied and always want to go further: that’s right! As a matter of fact, one of the remarkable things of 2022 was not a musical project – not strictly speaking, at least. Last July, we involved three Theresia’s musicians in an Ambassadorship project as part of the EU-funded project EMPOWER. Over the course of three years, the Ambassadorship project is going to involve a total of nine young musicians, representing nine different European countries, to be Ambassadors and Ambassadresses, embodying and transmitting the core values of classical music and its importance to their countries. First to participate in the initiative were Anna Krzyżak from Poland, Léna Ruisz from Hungary, and Irina Fârtat from Romania, with the task of promoting HIP in their own countries and engaging new audiences through their own and/or Theresia’s activity.

The task is not easy, and it is our job to help them, so in July we organized a co-creation workshop, involving our expert in communication and social media management: it was incredibly stimulating and inspiring. Here are some shots from the workshop:

Find more about the Ambassadorship project here.

New voices on the blog

As part of their activity, the Ambassadresses were suggested to contribute to the blog. That was a welcome breath of fresh air, with very interesting posts, from well-being to some hidden viola repertoire.

You can find all them here!

An old friend back on track

For more than 30 years, students of baroque music had looked to Eubo, the European Union Baroque Orchestra, as a reference point. But, first because of Brexit, then Covid, Eubo had ceased its activities in 2019. Now, thanks to ICONS foundations, Eubo starts its activity again: the new phase started with a concert in Ravenna, and auditions are to be announced soon! That’s great news that adds happiness to all baroque music lovers. Well done, ICONS!

Find more in this interview with President of ICONS and Founder and Artistic Director of Theresia Orchestra Mario Martinoli

New year, new plans: what 2022 brings to us

By Emilia Campagna - January 18, 2022
Chamber music, orchestral residencies and the new European project EMPOWER: let's go through Theresia's activities for 2022

The new year has started, full of promises and good resolutions. And here an overview of our upcoming activity!

As you know, last year ended with a bang, and that’s the best good wish we could expect: a 3-years grant was awarded to Theresia Orchestra by the Creative Europe Programme to develop excellence in orchestral learning and soft skills acquisition by our young artistic talents. The project is going to start in a few weeks, so we will keep you updated on any further development.

So, let’s go through our plans for 2022!

We are going to start with two chamber music projects: developing ensemble performances and deepening chamber music repertoire are two things at the very core of our mission. Also, we’ll get back to places we’ve been before, renewing some meaningful partnerships.

From 14 to 20 March, we’ll be in Ossiach (Austria), with such tutors as Chiara Banchini (violin) and Emilio Moreno (violin and viola). The program will be devoted to string quartets by Mozart, Haydn, Pleyel and Boccherini, which will give our musicians the chance to widen their knowledge of classical repertoire.

 

A shot from chamber music residency in Ossiach in 2018

 

Wind players will have their moment in the spring: from 2 to 9 May, they will be in Lodi, following the lead of oboist Alfredo Bernardini and deepening some important pieces of music, like Krommer’s B flat major Partita P4:30 and Beethoven’s E flat major Partita op.113. Concerts in Lodi, Trieste and Turin will top off the residency, and we are looking forward to them.

Then, a new chamber music project will bring us back to Geneva, Switzerland, guests of Les Concerts d’été à St-Germain: Chiara Banchini and Alfredo Bernardini will be the tutors in this project, scheduled from 17 to 22 August, with concerts on 21 and 22 August.

A moment of 2021 performance at Les Concerts d’été à St-Germain, in Geneve

The whole orchestra will rejoin at the end of June in Mondovì: this residency (from 27 June to 3 July, with concerts in Susa and Cuneo) will mark the beginning of the collaboration with a new conductor, Vanni Moretto, which we are excited to start.

Last but not least, we are working hard on a new project that at the end of the year will celebrate our first 10 years of activity: stay tuned for that!